Einsturzende Neubauten – Milano – 12 maggio 2021
Einstürzende Neubauten (German pronunciation: [ˈaɪnˌʃtʏɐtsəndə ˈnɔʏˌbaʊtən], "Collapsing New Buildings") is a German experimental music group, originally formed in West Berlin in 1980. The group is currently composed of founder members Blixa Bargeld (lead vocals; guitar; keyboard) and N.U. Unruh (custom-made instruments; percussion; vocals), long-time contributor Alexander Hacke (bass; vocals), plus Jochen Arbeit (guitar; vocals), and Rudolf Moser (custom-built instruments; percussion; vocals), who both joined the line-up in 1997.
One of their trademarks is the use of custom-built instruments, predominantly made out of scrap metal and building tools, and noises, in addition to standard musical instruments. Their early albums were unremittingly harsh, with Bargeld's vocals shouted and screamed above a din of banging and scraping metal percussion. Subsequent recordings found the group's sound growing somewhat more conventional, yet still containing many unorthodox elements.
On 1st April 1980, Einstürzende Neubauten made its first appearance, at the Moon Club in West Berlin. This first lineup featured Beate Bartel and Gudrun Gut, Blixa Bargeld, and N.U. Unruh. The two female members, Bartel and Gut, left the band after a short period and founded Mania D. Shortly thereafter, Alexander Hacke (alias Alexander von Borsig), a sound technician and multi-instrumentalist who was 15 years old at the time, joined the band and became a longtime member.
In 1981, the percussionist F.M. Einheit (from the Hamburg band Abwärts) joined Einstürzende Neubauten and it released its first LP, Kollaps, a mixture of rough punk tunes and industrial noises. The industrial noises were obtained from self-made music machines, electronics, and found objects such as metal plates. The live performances with Einheit in the 1980s included lots of metal banging and destruction on stage.
During their first German tour, Mark Chung (previously the bass player with Abwärts) joined the group of musicians. This lineup lasted nearly 15 years.
In 1983, Einstürzende Neubauten recorded its second album, Zeichnungen des Patienten O. T. (English: "Drawings of Patient O.T."). The title came from a 1974 book by Leo Navratil, describing the drawings of Oswald Tschirtner. It was also a guest performer on Fad Gadget's "Collapsing New People" 7" single's B-side track 'Spoil The Child', recorded at Hansa Tonstudio, Berlin in November 1983.
Also in 1983, Bargeld joined the band The Birthday Party (featuring Nick Cave and Mick Harvey) as a guitarist. That group soon disbanded, but Bargeld became a longtime member of one of the bands that sprang from it, Nick Cave and the Bad Seeds (again featuring Cave and Harvey). Bargeld remained a full-time member of both Einstürzende Neubauten and Nick Cave and the Bad Seeds until 2003, when he quit the Bad Seeds in order to focus on Einstürzende Neubauten.
In 1984, Einstürzende Neubauten, with guests including Genesis P-Orridge, Stevo Pearce, Frank Tovey and others, played a show titled The Concerto for Voices and Machinery at the ICA in London. After 20 minutes the venue halted the show when the band began to dig through the venue's stage with drills and jackhammers. 1984 also saw the first release of a best-of and rarities compilation, Strategies Against Architecture 80-83.
The band's next album, Halber Mensch ("Half Man") in 1985, may be seen as a developmental breakthrough. Musical structure became more evident, and Bargeld's lyrics and, especially, his singing changed. He moved from shouted words and phrases toward organized, poetic melodies.
The band played a show in Vancouver, British Columbia, Canada, to kick off its third North American tour. The performance was sponsored by the German Goethe Institute as part of the German contribution to Expo 86. Also scheduled to appear were Test Dept and Skinny Puppy, though not everyone was able to play.
On the tour, the group's experimental and improvised live performance style occasionally caused difficulties with venue management and law enforcement. A performance at The Palladium in Manhattan ended 30 minutes into the set after an improvised pyrotechnics display. The band ignited lighter fluid in a couple of metal pans, and management stopped the performance and cleared the venue.
The one-hour film Halber Mensch (1986) by Sōgo Ishii documents Einstürzende Neubauten's visit to Japan in 1985. The next two albums, Fünf auf der nach oben offenen Richterskala ("Five on the open-ended Richterscale") in 1987 and Haus der Lüge ("House of the Lie") in 1989, were great successes in the United States and Japan.
In 1990, the band tried something completely new, recording the soundtrack for East German playwright Heiner Müller's play Die Hamletmaschine ("The Hamlet Machine") for East German radio Rundfunk der DDR. The band image of Einstürzende Neubauten changed: Blixa Bargeld, formerly wearing punk/industrial style clothes, appeared at the live concerts in a suit.
1991 also saw the release of the double album, a best-of and rarities album, Strategies Against Architecture II. This collection included a musical setting of Heiner Müller's piece "Bildbeschreibung" ("Explosion of a Memory" or "Description of a Picture" in English).
In Vienna, May 1992, Einstürzende Neubauten performed at The Academy of Fine Arts' 300th anniversary in a show by Erich Wonder, Das Auge des Taifun ("The eye of the typhoon").
The next album, Tabula Rasa (1993), was an important turning point in the band's history, the music becoming softer and containing more electronic sounds.
In 1993, the band was booked to support U2 during the European leg of the Zoo TV Tour, but were thrown off the stage and off the tour when a band member threw an iron bar into the booing crowd.
Mark Chung left the band in 1994 after the recording of Faustmusik for Werner Schwab's play, and made a career in the music industry. F.M. Einheit, who contributed much to the music and sound of the band, left the band a short time later in 1995, during the recording of the Ende Neu album, at least partially because of a conflict with Bargeld. The last Einstürzende Neubauten track Einheit worked on was "Was ist ist". Roland Wolf replaced them on bass guitar and keyboards only a short time before dying in a car accident in 1995.
A short time later, the band released the album Ende Neu ("Ending New") in 1996. The title is wordplay on the band's own name (i.e. "Einstürzende Neubauten"). The song "Stella Maris" – a duet between Bargeld and Hacke's then-wife, singer Meret Becker – became quite famous; a world tour followed the release. During this time, Jochen Arbeit and Rudi Moser (both members of Die Haut) joined the band: Arbeit on guitar, and Moser on drums, with Hacke switching to bass guitar. This lineup, accompanied by Ash Wednesday on keyboards for live concerts, has held ever since.
In 1997, the album Ende Neu Remixes was released, which featured remixes of the songs from Ende Neu by artists such as Barry Adamson, Pan Sonic and Darkus (alias Mark Rutherford); Darkus's remix tracks, with others not included on Ende Neu Remixes, were made available separately in the same year on The NNNAAAMMM Remixes By Darkus release.
From March 27 to May 23, 2000, Einstürzende Neubauten celebrated its 20th birthday with a "20th anniversary tour", playing in the Columbiahalle, Berlin on its birthday, April 1, and released the album Silence Is Sexy, followed by a world tour. 2001 also saw the release of another double best-of and rarities album, Strategies Against Architecture III.
Since 2001, Einstürzende Neubauten albums and web projects have been partially produced and supported by Bargeld's wife, Erin Zhu, who also serves as webmaster of Einstürzende Neubauten's website.
In 2002, Einstürzende Neubauten began work on a new album without the backing of a record label, relying instead upon fan ("supporter") participation in an experiment of a type of Street Performer Protocol combined with an internet community and touches of the patronage system. An exclusive Supporter Album No. 1, and the Airplane Miniatures EP following, were made available in 2003.
Bargeld left Nick Cave and the Bad Seeds in 2003. In order to go on tour, the band reneged on the idea of creating a supporter-only album, and cooperated with Mute Records to go on tour and release Perpetuum Mobile in 2004. Air sounds, such as blowing the plastic pipes with an air compressor, were greatly explored and used for this album: the working title of the album was, for a long while, Luftveränderung ("Change of air").
A half-hour documentary about the supporters project, 'Traumfestival', was made by Ste van Holm and Dihcar, and is available on YouTube.
The live shows of the Perpetuum Mobile Tour were recorded by the band's sound engineers, then burned on CDRs with individual pictures of each show taken by Danielle de Picciotto and sold directly after the concerts; numerous "official" live albums were created during this tour as a result.
In November 2004, the band went on a mini-tour, which included a supporters-only performance at Berlin's Palast der Republik. The performance was filmed and coordinated by Danielle de Picciotto and Ian Williamson and released on the exclusive supporter's DVD at the end of Phase II.
The band also started a new project called Musterhaus in early 2005. The first CD, Anarchitektur, was sent out in May 2005, and was also available for download to Musterhaus subscribers. The Musterhaus project was a "line of releases intended to give the band an outlet for more experimental impulses and exploration." Musterhaus albums were released roughly every 3 months.
The second Musterhaus CD, Unglaublicher Lärm ("Incredible noise"), was finished on August 15, and shipped out (as well as posted for download) shortly after.
Phase II of the Neubauten Supporter's project finished in August 2005, and the official site was taken down on September 20. The supporter album Grundstück ("Plot") and DVD (containing footage from the November 2004 Grundstück performance in Berlin) was shipped in early October 2005.
Musterhaus No. 3 Solo Bassfeder ("Solo bass-spring"), released December 8, is a collection of bass spring compositions by the individual members of Einstürzende Neubauten.
Phase III of the Supporter's project started on February 10. On February 25, the fourth part of the Musterhaus series, Redux Orchestra versus Einstürzende Neubauten, was completed. One of the new additions to Phase III started in March 2006 was a piece-by-piece album, Jewels, finally finished in August 2007.
Danielle de Picciotto, Alexander Hacke's wife and longtime companion, released the DVD documentary "Einstürzende Neubauten - On tour with neubauten.org" which describes the supporter project in detail, having interviewed international supporters during the Perpetuum Mobile tour in 2004.
Musterhaus No. 5 Kassetten ("Cassettes"), finished May 15 with release scheduled for May 31. At the same time, Alles was irgendwie nützt ("Everything of any use"), an album that had been in the work since Phase 2, were completed. The album consists of rare live tracks, handpicked by 6 supporters of Phase 2 and mixed by Boris Wilsdorf. This was quickly followed by Musterhaus No. 6 Klaviermusik ("Piano music"), released on August 31.
In October, Neubauten released a public DVD, the recording made at Palast der Republik.
Musterhaus No. 7 Stimmen Reste ("Voice Remainders") was released on December 2, consisting of vocal experiments, vocal recordings, and manipulations of voice recordings, enriched with leftover instrumental tracks made with polystyrene, electronic pulses, Hammond organ, bass guitar, and metal percussion.
It was announced on the band's website that it would be undertaking a "small (mostly) UK tour" in April 2007, but playing in Hannover on April 22 beforehand. Musterhaus No. 8 Weingeister ("Wine spirits") was released on April 6, forming the final instalment of the Musterhaus series.
A new commercial album was made available later in the year, the first release since 2004's Perpetuum Mobile. The new album, Alles wieder offen ("All open again"), was released in 2007 without the backing of a label, a move the band had intended to make with Perpetuum Mobile. Fans who were part of the paid EN community at neubauten.org received access to an album with the same tracks plus a number of extra songs, and an optional DVD about the making of the album. The band also filmed a video for "Nagorny Karabach". They spent the first half of 2008 touring for the album, playing 32 dates in 19 European countries.
Einstürzende Neubauten celebrated its 30th anniversary in 2010 with a tour through Europe. An American leg was also planned, but on November 29, 2010 the band announced the cancellation of all U.S. dates due to visa scheduling problems.
Silence Is Sexy was reissued on July 1, 2011.
In May 2014, the band announced on their official website that it was back in the studio working on new material. It also announced dates for live shows to be held in November 2014. The album Lament was released on 7 November.
In November 2019, the band announced on their official website that it would release a new studio album in 2020 and accompanying tour.
The band name is usually translated into English as "Collapsing New Buildings". Neubauten ("new buildings" in English) is a general term referring to buildings constructed in Germany after 1945. These are often regarded as cheaper, flimsier, and less aesthetically attractive than Altbauten, or pre-1945, especially pre-modernist buildings. Due to the extensive destruction throughout Germany during the Second World War, and the extensive rebuilding thereafter, Neubauten constitute a very familiar element of German cities.
The band's name attracted unexpected attention when on 21 May 1980, not two months after the band's forming, the roof of the Berlin Congress Hall famously collapsed, killing one person and injuring many. The resulting media attention surrounding the collapse of the German-American icon gave the meaning of their name a new dimension.
The Einstürzende Neubauten logo resembles a human stick figure with two arms, two legs (one shorter than the other), thin body and big round head consisting of a circled dot. It was not created by or for the band, but is a cave drawing of probably Toltec or Olmec origin, though its provenance has also been attributed to the much older sacred ring at Stonehenge.
Singer Henry Rollins has an Einstürzende Neubauten logo tattooed on his right shoulder.